Use of Meta-narrative Review to Integrate Perspectives on Identity Formation in the Cameroonian and Swedish-Kurdish Diasporas

Post-colonial Cameroonian identities have emerged from a combination of systems involving indigenous knowledges, transnational, socio-political, and economic influences, contributing to back-and-forth identity formation in the diaspora and country-of-origin. Kin and kith bonds, social validation, and the maintenance of traditional values between members of the diaspora and relatives in Cameroon influence both individual and collective identity formation in diasporic communities. I argue that the affective communicative properties of socio-culturally and nostalgically relevant music may facilitate not only individual identity formation in the Cameroonian diaspora, but also collective identity formations between members of the Cameroonian diaspora and Cameroon itself through the mechanism of empathy. To accomplish this, I employ the use of meta-narrative review to integrate discussions from cultural studies, social anthropology, sociology, musicology, neuroscience and psychology. Cameroonian diasporic communities discussed in this paper include the Norwegian-Cameroonian and German-Cameroonian diasporas, with comparative discussion offered from the perspective of the Swedish-Kurdish diaspora. This study is intended to exemplify an exploration of how transdisciplinary integration can highlight the value of the affective communicative properties of socio-culturally and nostalgically relevant music as means to facilitate identity formation within and across diasporic communities through the mechanism of empathy.