Tony Stockman

Queen Mary University of London, London, UK

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Papers74 papers

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Exploring crossmodal perceptual enhancement and integration in a sequence-reproducing task with cognitive priming

Feng Feng, Li Puhong,Stockman Tony

Journal on Multimodal User Interfaces, (2020)

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Concurrent Crossmodal Feedback Assists Target-searching: Displaying Distance Information Through Visual, Auditory and Haptic Modalities

Feng Feng,Stockman Tony

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The effect of audio cues and sound source stimuli on the perception of approaching objects

Sonia Wilkie,Tony Stockman

Applied Acoustics, (2020): 107388

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Can rhythm be touched? An evaluation of rhythmic sketch performance with augmented multimodal feedback

Feng Feng, Kai Shang,Stockman Tony

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Augmented Visuotactile Feedback Support Sensorimotor Synchronization Skill for Rehabilitation

Feng Feng,Tony Stockman

CHI Extended Abstracts, pp.LBW2120, (2019)

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An Investigation Into Customisable Automatically Generated Auditory Route Overviews for Pre-navigation

Nida Aziz,Tony Stockman, Rebecca Stewart

international conference on auditory display, (2019)

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SoundTrAD, A Method and Tool for Prototyping Auditory Displays: Can We Apply It to an Autonomous Driving Scenario

Doon MacDonald,Tony Stockman

international conference on auditory display, (2018)

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Perception of objects that move in depth, using ecologically valid audio cues

Sonia Wilkie,Tony Stockman

Applied Acoustics, (2018): 34-45

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Action-sound Latency and the Perceived Quality of Digital Musical Instruments: Comparing Professional Percussionists and Amateur Musicians

Robert H. Jack, Adib Mehrabi,Tony Stockman,Andrew McPherson

Music Perception: An Interdisciplinary Journal, no. 1 (2018): 109-128

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A Prototype Mixer to Improve Cross-Modal Attention During Audio Mixing

Joshua Mycroft,Tony Stockman,J. D. Reiss

Audio Mostly Conference, (2018)

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Evaluating an Interface for Cross-Modal Collaborative Information Seeking

Dena Al-Thani,Tony Stockman

Interacting with Computers, no. 5 (2018): 396-416

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"I Hear You": Understanding Awareness Information Exchange in an Audio-only Workspace

Oussama Metatla,Nick Bryan-Kinns,Tony Stockman

CHI, pp.1-13, (2018)

EIBibtex

An investigation of dynamic crossmodal instantiation in TUIs

Feng Feng,Tony Stockman

ICMI, pp.82-90, (2017)

Cited by3EIBibtex

Rich gesture, reduced control: the influence of constrained mappings on performance technique

Robert H. Jack,Tony Stockman,Andrew McPherson

MOCO, pp.15:1-15:8, (2017)

Cited by9EIBibtex

Maintaining and Constraining Performer Touch in the Design of Digital Musical Instruments

Robert H. Jack,Tony Stockman,Andrew McPherson

Tangible and Embedded Interaction, pp.717-720, (2017)

EIBibtex

What do your footsteps sound like? An investigation on interactive footstep sounds adjustment

Luca Turchet, David Moffat,Ana Tajadura-Jiménez,Joshua D. Reiss,Tony Stockman

Applied Acoustics, (2016): 77-85

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User Experience in an Interactive Music Virtual Reality System: An Exploratory Study

Thomas Deacon,Tony Stockman,Mathieu Barthet

CMMR, pp.192-216, (2016)

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Reflections on the Research Methods Used in an Investigation of Cross-modal Collaborative Information Seeking

Dena Al-Thani,Tony Stockman

CTS, pp.511-517, (2016)

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Sonification of reference markers for auditory graphs: Effects on non-visual point estimation tasks

Oussama Metatla,Nick Bryan-Kinns,Tony Stockman,Fiore Martin

PeerJ Computer Science, (2016)

Cited by1EIBibtex

Navigation of Pitch Space on a Digital Musical Instrument with Dynamic Tactile Feedback

Robert Jack,Tony Stockman,Andrew McPherson

Tangible and Embedded Interaction, pp.3-11, (2016)

Cited by1EIBibtex

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