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Instructor in Landscape Architecture and PhD Candidate at Harvard, exploring feedback loops between techno-political change and subjectivity as mediated by artistic practice. My dissertation studies 1960s inflatable structures in art and architecture, and the post-lunar imaginaries that they articulated in response to a confluence of scientific and social progress. I am particularly interested in how the inflatable object anticipated theorizations of the non-human, increasingly prevalent across scholarly disciplines in subsequent decades. I further engage relations between the human, nonhuman and technology as related to Earth's territories in courses that I teach in the landscape department at the Harvard Graduate School of Design.
My academic work is complemented by curatorial and artistic practice. In 2017, I co-curated The New Inflatable Moment for Boston’s BSA Space, which captured the utopian sensibilities of inflatables from the 1780s to the 2000s. My long-term art project, Department of Play, transforms public space through momentary fictions. Past project support includes a 2015 ArtPlace America grant.
My academic work is complemented by curatorial and artistic practice. In 2017, I co-curated The New Inflatable Moment for Boston’s BSA Space, which captured the utopian sensibilities of inflatables from the 1780s to the 2000s. My long-term art project, Department of Play, transforms public space through momentary fictions. Past project support includes a 2015 ArtPlace America grant.
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